like in football game you would make a horizontal power window that just selects the bottom of your frame ( where the grass is located ) and NOT effect colors in the upper part of your frame. to get the color you want.Īdded to that is another adjustment that can be made re: a 'power window' thing ( which is really the area that defines the mask made via selection of pixel attributes ). After that you have the extra option of making that selection adjusted via tint, saturation, color wheels or RGB bars or HSL stuff. In resolve that is a 'color picker' tool ( like you have). which is a number of controls defining the specific pixels, or expanding the 'range' of similar pixels.
You select a range of color and make adjustments to that range via controls ( like in PPro, Lumetri, or After Affects). I use resolve now and don't have CC ( only have old CS6 with speedgrade ). when trying to focus on specific areas ( like grass or blue sky etc. Magic Bullet Cosmo II – features an improved skin smoothing algorithm to make talent really shine.Denoiser III – rewritten from scratch and now supported by powerful technology from wrnch, a Mark Cuban-backed computer vision technology startup.Magic Bullet Colorista IV – offers new guided color correction tool to speed up the post workflow while simultaneously educating editors.Magic Bullet Looks – now with over 200 Looks presets including 50 new Looks.Move forward 10 years and you have Magic Bullet Suite 13.In my opinion all color stuff in modern NLE progams ( that have color correction ability) use more or less the same controls to try and select the hue ( chroma) and saturation etc.
Includes accurate, measured film grain and a foolproof vignette tool. This latest version of the software includes GPU acceleration and color correction with OpenCL support for real-time playback in Adobe Premiere Pro CC.
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